23,880 Royalty-Free Audio Tracks for "Audio Files Of Classical Music Conducted By Willibald Zwittkovits"

00:00
11:18
w:Arthur Sullivan's w:Overture di Ballo, Overtures (1991, track 7)
Author: Arthur Sullivan, performed by United States Marine Band, transcribed for band by Col. John R. Bourgeois, who served as Band Director.
00:00
11:41
Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.
Author: Untitled
00:00
08:16
Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.
Author: Untitled
00:00
00:07
Use of the pentatonic scale in Debussy's Voiles (1910), Prelude. 2, mm.43-45.
Author: Claude DebussyMIDI file created by Hyacinth (talk) 14:44, 15 December 2011 (UTC) using Sibelius 5.
00:00
08:34
Johann Sebastian Bach (disputed) > Toccata et Fugue en ré mineur BWV565 - œuvre pour orgue. An audio meta_data recording Image:Metadata_BWV565_Attribution.ogg exists for this recording
Author: Johann Sebastian Bach (disputed), performed by Ashtar Moïra
00:00
00:11
Piano sonata #32. Main theme (beginning) perfomed by Daniel Veesey croped by User:A1 Українська: Людвіг ван Бетховен. Фортепіанна соната №32. Головна партія (початок) Виконує Daniel Veesey
Author: Untitled
00:00
04:45
Enrico Caruso and Titta Ruffo's only surving recording together: "Sì, pel ciel marmoreo giuro!" from Giuseppe Verdi's 1887 opera Otello. Recorded 8 January 1914 in New York City for Victor Records (as Matrix C-14272), this was released under a variety of labels (full details)
Author: Otello: Enrico Caruso (1873–1921) Iago: Titta Ruffo (1877–1953) Composer: Giuseppe Verdi (1813–1901)
00:00
00:11
Piano Sonata No. 32 in C minor, Op. 111. First bars perfomed by Daniel Veesey cropped by User:A1 Українська: Людвіг ван Бетховен. Фортепіанна соната №32. Перші такти Виконує Daniel Veesey Вирізка User:A1
Author: Untitled
00:00
04:54
Richard Wagner: Parsifal Act 2 Flower Maiden scene. conductor: Karl Muck, Bayreuth Festival Orchestra
Author: Karl Muck
00:00
15:13
Le ballet de la reine (or "La peregrina") from Giuseppe Verdi's 1867 opera Don Carlos on the Grand Scenes (2000), recorded June 5–9, 2000 at Center for the Arts, George Mason University, Fairfax, Virginia.
Author: Giuseppe Verdi, transcribed by Donald Patterson, performed by the w:United States Marine Corps Band, Timothy Foley Director
00:00
04:28
Se m'ami ancor; Ai nostri monti, duo de l'opera Il trovatore, composé par Giuseppe Verdi, interprété par Enrico Caruso (1873–1921) et Ernestine Schumann-Heink (1861–1936) en 1913
Author: Verdi – Caruso – Schumann-Heink
00:00
15:57
Richard Wagner: Parsifal - Prelude Act 1. conductor Karl Muck, Bayreuth Festival Orchestra.
Author: Karl Muck, Bayreuth Festival Orchestra
00:00
12:35
Piotr Ilyich Tchaikovsky's Overture Solennelle, “1812,” Opus 49 performed by "The President's Own" United States Marine Band on May 26, 2019, at the Wolf Trap National Park for the Performing Arts in Vienna, Va. This concert was part of Wolf Trap's "Summer Blast-Off!" Col. Jason K. Fettig conducting.
Author: Untitled
00:00
03:03
Kindertotenlieder, IV. Oft denk' ich, sie sind nur ausgegangen.
Author: Gustav Mahler, enregistré par Marian Anderson, contralto, avec le San Francisco Symphony Orchestra, dirigé par Pierre Monteux.
00:00
03:58
Kindertotenlieder, II. Nun seh' ich wohl, warum so dunkle Flammen.
Author: Gustav Mahler, enregistré par Marian Anderson, contralto, avec le San Francisco Symphony Orchestra, dirigé par Pierre Monteux. English translation: Gustav Mahler, recorded by Marian Anderson, contralto , with the San Francisco Symphony Orchestra, conducted by Pierre Monteux.
00:00
06:11
Kindertotenlieder, V. In diesem Wetter, in diesem Braus.
Author: Gustav Mahler, enregistré par Marian Anderson, contralto, avec le San Francisco Symphony Orchestra, dirigé par Pierre Monteux.
00:00
04:40
Kindertotenlieder, I. Nun will die Sonn' so hell aufgehn.
Author: Gustav Mahler, enregistré par Marian Anderson, contralto, avec le San Francisco Symphony Orchestra, dirigé par Pierre Monteux.
00:00
04:13
Kindertotenlieder, III. Wenn dein Mütterlein.
Author: Gustav Mahler, enregistré par Marian Anderson, contralto, avec le San Francisco Symphony Orchestra, dirigé par Pierre Monteux.
00:00
10:47
Wo ist doch (a cantata) by Dieterich Buxtehude, performed live by self. Text/lyrics Soprano Wo ist doch mein Freund geblieben? Will Er mich denn nicht mehr lieben? Er hat sich in dieser Nacht, da ich aus dem Schlaf erwachte und an seine Huld gedachte, aus dem Bette weggemacht. Ach ich habe den verloren, den ich einzig mir erkoren! Ach, ich habe nicht betrübt! Er ist der, der mir gefallen, darum soll mein Stimm erschallen: Soprano/Bass Schönste(r), wo befindst du dich? Soprano Hör ich doch des Freundes Worte! Ruft Er nicht an diesem Orte? Soprano/Bass Schönste(r), wo befindst du dich? Bass Du hast mir das Herz genommen, Vielgeliebte! Soprano Ich will kommen, eile fort, erfreue mich! Komm, mein Freund, in meinen Garten! Bass Willst du mich daselbst erwarten? Sieh, ich steh schon vor der Tür, sieh, ich komme, meine Taube, denn dein wohlgegründter Glaube zeucht und neigt mich hin zu dir. Soprano Wenn du unter deinem Schatten mir die Ruhe willst gestatten, dann so ist mir ewig wohl. Soprano/Bass Ich lieb dich, weil du mich liebest und dich mir zu eigen giebest. Nichts ist, das uns scheiden soll. Soprano Du bist, Schönster, meine Sonne. Bass Dir ist schon die süsse Wonne und die Ruh von mir bereit. Soprano/Bass Komm mein Schatz, lass mich dich küssen, denn so kannst du mir / kann ich dir versüssen, alles Leidens Bitterkeit. Soprano Endlich hab ich den gefunden, den ich lieb, meine Freude. Bass So ist verschwunden dir die schrekkensvolle Zeit, weil ich dein bin, meine Freude. Soprano/Bass Komm nach dem gehabten Leide hin, wo dir das Herz/ die Freud bereit. So lieben die Seele und Jesus zusammen. Sie lieben beständig, man scheidet sie nicht. Sie brennen und stehen in lieblichen Flammen, die Seele vergnügt sich in seligem Licht. Wir sehnen uns alle mit Herzens Verlangen, wann werden wir einsten dich, Jesu, umfangen?
Author: self
00:00
03:25
Composer: César Cui (1835-1918) Title: Gloria Patri and Wedding Recessional from the opera "The Saracen" Printed source: Piano-vocal score published in Moscow by P. Jurgenson, 1899. This is a rudimentary MIDI arrangement and Ogg recording therefrom made by Mllefifi, Nov. 29, 2005 The music itself is in the public domain. Mllefifi is making this audio file available to promote the composer and for whatever other use can be made of it, besides linking it to the article "The Saracen (opera)".
Author: No machine-readable author provided. Mllefifi assumed (based on copyright claims).
00:00
00:16
En ballad om franske kungens spelmän (Turesson)
Author: Rex Sueciæ
00:00
00:16
En ballad om franske kungens spelmän (Hamberg)
Author: Rex Sueciæ
00:00
04:22
Una furtiva lagrima from Gaetano Donizetti's 1832 opera L'elisir d'amore, sung by Enrico Caruso on 26 November 1911 for the Victor Talking Machine Company in Camden, New Jersey.[1]
Author: Enrico Caruso, Gaetano Donizetti
00:00
09:04
The fifth movement from Hector Berlioz's Symphonie fantastique, known as "Songe d'une nuit de sabbat" or "A Dream of a Witches' Sabbath", transcribed by Lt. Col. Jack T. Cline of the United States Marine Band, and performed by the Marine Band conducted by Lt. Col. Cline at Van Wezel Hall, Sarasota, Florida in 1977
Author: Composition: Hector Berlioz Transcription: Lieutenant Colonel Jack T. Kline Performance: U.S. Marine Band
00:00
21:15
Richard Strauss' Burleske (1886), performed by Neal O'Doan with the Seattle Philharmonic Orchestra in 1991. Conducted by Nico Snel.[1]
Author: Richard Strauss (composer, June 1864 – 8 September 1949) Neal O'Doan (piano solo) Nico Snel (conductor) The Seattle Philharmonic Orchestra.
00:00
10:30
Arrangement from Richard Wagner's 1876 opera Götterdämmerung: Siegfried's Funeral March and Finale, Music of Richard Wagner (track 5)
Author: Richard Wagner, performed by the United States Marine Corps Band, recorded December 8–11, 1981 at w:Lisner Auditorium, w:George Washington University, w:Washington, DC, funeral march transcribed by Howard Bowlin and finale transcribed by John Bourgeois, who was the Band Director.
00:00
00:08
Derivated work: Theme A from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma A z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
00:00
00:08
Derivated work: Theme B from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma B z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
00:00
00:08
Derivated work: Theme D from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
00:00
00:08
Derivated work: Theme C from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot
Author: User:Kychot
00:00
10:24
Violinkonzert in D, Op. 61 — 3rd movement: Rondo, allegro. Violinkonzert in D, Op. 61 — 3. Satz: Rondo, allegro.
Author: Untitled
00:00
01:44
Cinquième pièce en do, extrait de "l'organiste" de César Franck. Harmonium Alexandre Debain de 1878. Registration : Basse=(5) Dolce, Dessus=(1)Flûte et (4)Hautbois
Author: Untitled
00:00
02:36
Claude Debussy: Ariettes oubliées (6), song cycle for voice & piano, L. 60 No. 2 "Il pleure dans mon cœur". Xiaobo Su, soprano; Giorgi Latsabidze, piano. Los Angeles USC Alfred Newmann Concert Hall, 2010. Live Performance Recording.
Author: Giorgi_Latsabidze_Ariettes_Oubliées2.ogg: Michaellugansky derivative work: Pluke (talk)
00:00
02:36
Claude Debussy: Ariettes oubliées (6), song cycle for voice & piano, L. 60 No. 2 "Il pleure dans mon cœur". Xiaobo Su, soprano; Giorgi Latsabidze, piano. Los Angeles USC Alfred Newmann Concert Hall, 2010. Live Performance Recording.
Author: Giorgi_Latsabidze_Ariettes_Oubliées2.ogg: Michaellugansky derivative work: Pluke (talk)
00:00
01:22
Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Ballet” z II Aktu, składający się z 3 cześci przeplecionych ze sobą: Khelas (taniec arabski) z Królem i [jego córką] Dolorez na tronach oraz świtą dworską, Gitana (taniec solo z kastanietami), Eros i Psyche (Oto są dwa posągi ogrodowe, budzi się najpierw Eros, opuszcza swój cokół. Budzi Psyche jednym pocałunkiem – pieszczą się w ogrodzie[;] gonitwa za motylem. Wreszcie człowiek zjawia się w ogrodzie, oni biegną szybko do cokołów i na powrót kamienieją.) [Warto tu zwrócić uwagę na obraz Artura Grottgera „Rozmowa posagów” z roku 1865, namalowany w Śniatynce – posiadłości Stanisława Tarnowskiego zwanego „Białym” przyjaciela, mecenasa i modela Artura Grottgera a rodzonego brata kompozytora Władysława Tarnowskiego, obraz wydaje się stanowić inspiracje do tej części Baletu. Stąd zilustrowanie muzyki do ostatniej części Baletu fragmentami obrazu Artura Grottgera.] Kolejność ma być wedle partytury następująca: Khelas, Gitana, (Khelas ze śpiewem tu pominietym), Gitana, Eros i Psyche – część A, Gitana, Eros i Psyche – cześć B z gonitwą za motylem. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Wladysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.) Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:39, 21 January 2017 (UTC)) styczeń 2017.
Author: Władysław Tarnowski ps. Ernest Buława (partytura), Marcin Tarnowski (wykonanie)
00:00
03:54
Polonez A-dur op. 40 nr 1, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu. Čeština: Polonéza Fryderyka Chopina Polonaise Op. 40 No. 1 v podání pianistky Romualdy Greissové na klavíru Budynowicz z roku 1850. Polonaise Op. 40 No. 1, performed by Romuald Greiss on an 1850 Budynowicz piano. Polonaises, opus 40, n°1 de Frédéric Chopin, interprétées par Romuald Greiss sur un piano Budynowicz de 1850. Эрзянь: Полонез Оп. 40 No. 1, налксизе Ромуальд Грейсс, 1850 иестэ теезь Budynowicz фортопианасо. Українська: Полонез Op.40 №1 у виконанні Ромуальда Грайса на фортепіано Будиновича 1850 року, Забже, Польща.
Author: Untitled
201 - 250 of 23,880 Next page
/ 478